Laser Eater

Fool’s Day es la primera canción que el cuarteto de Inglaterra graba con su guitarrista original, Graham Coxon, desde el 2000 que sacaron Music Is My Radar para la primera compilación de éxitos. La pieza es como un paseo por Piñones en bicicleta a las cinco de la tarde en pleno verano, después de haber escuchado cantidades industriales de pop inglés de la década de los 60 a lo The Kinks. Al que le interese tener una copia física, está bien jodio porque ya se vendieron todos los vinilos. Nada más sacaron una cantidad extra limitada que te costará un ojo de la cara por eBay.

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Este  video es del tráiler del DVD que hicieron para su reunión del verano pasado. Alguien cómpremelo porfa. De agradecimiento puedo regalar masajes, pagar un almuerzo en Panda Express , un tour por Ponce,  una carrera con mi perra o el número de teléfono de Chamo. Que fucking ganga.

Denle click a donde dice Exclusive 2009 footage. Alguien regaleme un pasaje y una taquilla para verlos en Hyde Park. Go!!!

Aquí.

Aprovechando el hype de la reunión y nuestra extra mega pumpeadera….vean esto:

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Blur, one of the best Brit Pop bands in the history of the planet Earth have finally confirmed a London Hyde Park reunion show on July 3rd 2009 subsequent to a nearly 10 year absence. After a lukewarm relationship with Blur on their last days together as a foursome and a very public “I want to do my own thing” sort of mindset; ruler guitarist Graham Coxon (the quiet one) will finally join Alex James, Dave Rowntree and Damon Albarn for the first time since their Royal Festival Hall performance in 2000. Now, one has to undoubtedly love or at least appreciate Graham Coxon’s great solo records and the mainstream pop oriented public has a real soft spot for the successfully executed Gorillaz; as well as some interesting unconventional Damon Albarn projects here and there. But it was about fucking time these mates reunited for the sake of planting awesomeness back in good pop music. Especially for Coxon, who’s American Indie rock inspired riffs (Pavement, Yo la tengo, Sonic Youth), showered the band with alternative inventive channels in the mid to late 90’s. And was the main reason after all, Blur stopped making music in the first place after his departure.
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